A 550-foot, 41-story Eleven Tower will be Minneapolis’ Tallest Residential Building

A 550-foot, 41-story Eleven Tower will be Minneapolis’ Tallest Residential Building

Eleven, a Ryan Companies US, Inc. and Arcadia LLC project, is the first residential development in Minneapolis designed by world-renowned architecture firm, Robert A.M. Stern Architects (RAMSA). When completed in 2021, the 41-story condominium project, located in the Mill District along the Mississippi riverfront, will join the city’s globally recognized array of signature buildings by the world’s most revered architects.

RAMSA has a highly regarded portfolio of projects worldwide, including residential towers in New York City, Chicago, Toronto, Shanghai, China, Taipei, and Taiwan. Eleven, RAMSA’s first Minneapolis project, will add to an architecturally significant skyline that includes cultural and office buildings by Philip Johnson/John Burgee Architects, Herzog & de Meuron, Jean Nouvel, Steven Holl, Cesar Pelli, Michael Graves, and Antoine Predock. At 550 feet and 41 stories tall, Eleven will be Minneapolis’ tallest residential building. Eleven’s timelessly classical design contextually reflects the industrial vernacular of the extant and repurposed mill buildings in the area. Durably constructed of masonry and glass, the elegant building tapers to a slim tower, with floorplates of 12,500 square feet near the base and 6,800 on the top floor. The podium on floors one through seven includes parking and 12,500 square feet of commercial space.

Private and secure, Eleven’s tower floors each have five units or fewer; some have only one. Most residences include a private corner terrace that’s at least 14 x 14 feet. Every unit provides panoramic views of the river and the city.

 

 

Building amenities will include a large landscaped rooftop deck with a 25-yard lap pool, a private motor court with 24/7 doorman service, an expansive fitness suite, a demonstration kitchen with dining, a library, a golf simulator, and a kids’ splash pad. RAMSA designed one of three curated design options for the residences.

 

When completed, Eleven will infuse Minneapolis’ architectural legacy, housing stock, and cultural scene with a vibrant new master architect-designed building. Eleven will also join RAMSA’s ever-expanding registry of superlative urban apartment houses that enhance their cities with portraits of place, including 15 Central Park West in New York for Zeckendorf Development, and One Bennett Park in Chicago for Related Midwest. Like those luxury residential buildings, Eleven’s design reflects RAMSA’s singular architectural methodology. RAMSA’s deep research into and study of design precedents, and the inventive application of the principles of Classicism, have resulted in strategies for the organization and massing of tall apartment houses. In Minneapolis, RAMSA will create a sculpted tower with terraces that express a positive, open relationship to downtown Minneapolis, the Mississippi River, West River Parkway, and adjacent streets. The result is an exemplary intersection of style and content.

 

About Arcadia LLC

Luigi Bernardi serves as president of two real estate development and investment companies, Arcadia LLC and Aurora Investments which began developing Twin Cities commercial real estate in 1987. Now, focusing on medical-related facilities and multi-family residential development, recent projects include the Velo luxury apartments in downtown Minneapolis’ North Loop neighborhood and Aurora on France in Edina.

About Robert A. M. Stern Architects

Robert A.M. Stern Architects is a 265-person firm of architects, interior designers and support staff that has earned an international reputation as a leading design firm with wide experience in residential, commercial, and institutional work throughout the U.S. and around the world. The firm’s extraordinary portfolio of residential buildings, combining its longstanding dedication to the design of private residences with its deep commitment to urban place-making, includes such record-setting landmarks as 15 Central Park West in New York for Zeckendorf Development and residential towers in Boston, Philadelphia, Washington, Atlanta, Dallas, Chicago, Los Angeles, Toronto, and Vancouver. “Eleven” is the firm’s first project in Minneapolis.

Robert A.M. Stern, FAIA, practicing architect, teacher, and writer, served as Dean of the Yale School of Architecture from 1998 through June of 2016. As founder and Senior Partner at Robert A.M. Stern Architects, he directs the firm’s architecture, planning, interior design, and landscape design projects. Mr. Stern was the 2011 Driehaus Prize laureate and has received both the Athena Award from the Congress for the New Urbanism and the Board of Directors’ Honor from the Institute of Classical Architecture & Art.

Paul L. Whalen, FAIA, is a Partner and Studio Leader at Robert A.M. Stern Architects whose work includes the design of record-setting multifamily residential buildings across the United States as well as in Canada, South America, Europe, and Asia. Along with Mr. Stern, Mr. Whalen is co-author of the 2016 monograph City Living: Apartment Houses by Robert A.M. Stern Architects. He currently serves as the President of Sir John Soane’s Museum Foundation.

 

Eleven

ICYMI – Finding Zug Zug: Sculpture Hidden in Park Brings Joy and Wonder to Minneapolis Residents!

ICYMI – Finding Zug Zug: Sculpture Hidden in Park Brings Joy and Wonder to Minneapolis Residents!

The artist behind the sculpture says he did it so we can all have something positive to talk about in 2021.

 

Kare11: Spend enough time out in nature and you just might stumble onto something incredulous.

Like a caveman frozen in time, standing by a trail at Theo Wirth.

“Every person we’ve talked to, they said they came to the park to specifically find this piece,” artist Zach Schumack said.

“It’s Wirth park, which is our neighborhood park, and I was like we gotta find it,” Genevieve Johnson said. “He was out there for hours. I was tracking to find him on my phone.”

After searching for three days, Johnson and her husband said they were happy to have finally come across a seemingly spontaneous piece of art.

Schumack, who is one of the artists who worked on the piece said he and his art collective, Leonic, built Zug Zug the caveman as a commissioned piece. Originally it was for an ad agency–Hunt Adkins and Agency 222.

When they were done with him, Schumack said he couldn’t just let him sit in his garage.

Plus, the timing just seemed right to release Zug Zug into the world.

“Every time we turned on the TV and looked at our cellphone, it was really only one story going on, and it just seemed a little divisive and negative,” Schumack said. “We decided to use this piece to give people something else to talk about, and also something to explore and look at, besides what’s going on with our TVs and phones.”

So with the blessing of the Minneapolis Park and Recreation board, Schumack lugged Zug Zug to Theo Wirth.

The intended effect definitely took place. More people came to see Zug Zug than Schumack and the team ever could have imagined. People took photos. Touched the sculpture to see if Zug Zug was sitting in real ice. All of it, instilling a sense of wonder. Schumack said that’s his favorite part, especially when kids find it mind-blowing.

“Talking to a little kid a little bit ago, and he found out that it wasn’t an actual real caveman,” Schumack said. “He was like, ‘wait what? it’s not real?’ and you could see the look of a blown mind. I think that’s what art is supposed to do. It’s supposed to make you wonder, guess and talk about it.”

To pull back the curtain on the mystery a little bit, Schumack explained that his buddy was responsible for the caveman part, while he was responsible for the ice part.

The caveman himself used to be a mannequin from a Burnsville mall. He said his artist partner Ian spent a lot of time researching to make sure Zug Zug was wearing all the things that were accurate for his time.

As for the “ice,” Schumack explained that it’s a mix of plexiglass and delicate epoxy work. He said he looked at an ice cube every night to perfectly mimic ice melting.

“It’s been a big debate online,” Schumack said. “It’s not CGI graphics. Someone was commenting about that. It’s definitely all handmade by me.”

He added that the epoxy was made opaque on purpose.

“This piece was designed, even a year ago, to draw you in closer to really get you kind of engage with the piece, and look for areas of clarity to see everything,” he explained.

By now, with Zug Zug having gained quite a social media following, a game of ‘go find the caveman’ has turned into a nice moment outside.

All this, leaving the artist and the gallery feeling fulfilled.

“We want to make sure that this is continuing to get people into the parks and into nature, and engaging with nature and with art, and that’s really the whole point in all of this,” Schumack said.

As for what’s next, Schumack said Zug Zug’s companion Zarah is somewhere in a Minnesota park. He said he could not give us any more details or clues about Zarah, because again, the fun is in finding her.

 

Sharon Yoo
Walker Art Center: Join Us in January & February as Performing Arts Returns with Two Virtual Events!

Walker Art Center: Join Us in January & February as Performing Arts Returns with Two Virtual Events!

Josh Fox, still from “The Truth Has Changed (2021 Edition)”  –  Image courtesy of the artist

As artists find themselves drawn to confronting the monumental scale of the global climate crisis, two new performance works—theater/filmmaker Josh Fox’s “The Truth Has Changed (2021 Edition)” and musician-composer supergroup with William Brittelle, Holland Andrews, Channy Leaneagh, Will Johnson (WILLS), Immanuel Wilkins, Rafiq Bhatia and more in “The Meta Simulacrum Vol. 1″—mourn futures already lost, insist on environmental justice, and reimagine new ways to live less destructively.⁠

Co-presented with @thegreatnorthernfestival

Runtime

Approximately 90 min.


How to View

Tickets are pay what you wish. Suggested price $20.

View the exclusive online world premiere on Friday, January 29, 7 pm (CST). A live conversation with the artist follows Friday’s presentation.

The virtual performance is available to view Friday, January 29, 7 pm, through Monday, February 1, 11:59 pm (CST). Ticket sales will end on Monday, February 1 at 9 pm (CST).


Accessibility

Josh Fox: The Truth Has Changed (2021 Edition) will have closed captioning. For more information about accessibility, call 612-375-7564 or email access@walkerart.org.


FAQ

To help prepare for the performance or answer any questions that might come up, check out these frequently asked questions about how to access your content and view at home.


Art + Climate: A two-part performance series

Artists everywhere are finding themselves drawn to confronting the monumental scale of the global climate catastrophe, employing human creativity to process and act on what is clearly in front of us. Two new performance works—theater/filmmaker Josh Fox’s The Truth Has Changed (2021 Edition) and composer William Brittelle’s The Meta Simulacrum Vol. 1—both in partnership with the Great Northern—mourn futures already lost, insist on environmental justice, and reimagine new ways to live less destructively.

 

Walker Art Center: Multidisciplinary contemporary art center presenting exhibitions; dance, theater, and music performances; and film screenings.

In 1956, the Southdale Center in Edina, Minnesota opened its doors…

In 1956, the Southdale Center in Edina, Minnesota opened its doors…

…and became America’s first climate-controlled indoor shopping mall!

The mall’s architect, Victor Gruen, designed the building to mimic Vienna’s outdoor squares, with plants hanging from the balconies and plenty of space for people to mingle. In the atrium, there was a fish pond, large faux trees, and a 21-foot cage filled with birds.

If you take a look at the video above, shared by Kottke.org, you’ll notice that Southdale Center looks a lot like a typical mall. Designed by Victor Gruen, the father of suburban American shopping malls, the layout was revolutionary at the time but has since been copied by shopping centers across America. (For more on Gruen, listen to this great episode of the podcast 99 Percent Invisible.)

The mall’s highlight was the central atrium, topped by a skylight, which Gruen designed as a kind of indoor town square. The exteriors were designed to be boring in order to make the dazzling interiors seem more exciting by contrast, encouraging people to stick around and shop rather than exit.

However, by the end of his life, Gruen had become an outspoken critic of shopping malls, which he had envisioned as a solution to suburbia’s lack of walkable public space. While Southdale is still open, America’s indoor shopping malls are largely dying, often finding new life as things like medical centers or residential developments.

 

Image: The Southdale Center in Edina, Minnesota in 1956. Life magazine photo archive

 

ICYMI: New Minneapolis Building is One of The City’s Finest Works of Contemporary Architecture

ICYMI: New Minneapolis Building is One of The City’s Finest Works of Contemporary Architecture

The new Public Service Building in Minneapolis is designed to complement the surrounding buildings.

With its shiny metal exterior and relatively low scale, this 11-story building gleams like a jewel box. A brilliant complement to the solid granite, 19th- and 20th-century architecture of City Hall and the Hennepin County Government Center, it’s also a bright punctuation point for the Government Center Plaza.

Designed by Minneapolis-based MSR Design and the Danish firm Henning Larsen, it boasts an aluminum-and-glass wall system with beveled frames wrapping every window. The frames repeat across the facade to create an illusion of depth and rhythm while using very thin materials. As the sun passes during the day, the frames gleam with changing prismatic colors against the darker glass.

“The facade shimmers like the surface of a lake,” says Eric Amel, MSR Design’s project architect.

The architects also created terraces on every floor, which will allow employees access to fresh air during the workday — something of a rarity for urban office buildings.

The 370,000-square-foot building was designed to consolidate several city departments and their 1,200 employees, who had been scattered across several downtown buildings.

Its unique public entry makes the most of the location.

In a northern climate, placement can make the all the difference between a cold or an inviting entry.

Many of the proposals for the building placed the main entry on the northeast corner across from City Hall, said Council Member Lisa Goodman, who was a member of the committee that selected the architects. But Henning Larsen stood out because “they performed a solar gain and wind study showing that location to be very windy,” Goodman said.

The result is a more sheltered entry shifted about 100 feet up 4th Avenue.

Inside and out

This entry opens to a two-story lobby, which leads to the ground-floor public meeting rooms. There also is a grand wood stairway that sweeps up to a sunny mezzanine.

From here, visitors can take a gently rising walkway that connects to the skyway system at 6th Street.

The walkway is visually independent, seeming to elegantly float through the two-story lobby. In addition to being attractive, it offers noteworthy views, including the Great Seal of Minneapolis, which is mounted on the lobby wall. The massive, 20-ton seal was carved in the 1960s for the old Minneapolis Auditorium and kept in storage for the past 30 years.

From the walkway, a panorama of downtown’s architectural materials unfolds. You can see the massive granite walls of Government Center, the travertine marble-clad towers of First Bank Plaza, the Art Deco CenturyLink building built with warm Kasota limestone, and City Hall, with its Ortonville granite.

A study in connection

Before the final design was approved, city representatives, MSR and Henning Larsen studied public service buildings around the country to find what made them effective and customer-friendly.

The new Public Service Building is a one-stop shop where residents can pay a water bill, apply for a building permit, or meet with a city planner. These and other services are now housed at the bright yellow service counter on the mezzanine level.

Early in the planning process, there was debate about whether to connect the building to the skyway system. Those who dislike skyways say they take the people, the businesses and the vitality off the streets.

But the Public Service Building makes its skyway a year-round civic space — one that is indoors yet connected to the city. The walkway and grand staircase clearly connect to 4th Avenue and Government Center Plaza.

In an era when government buildings require high security, the architects did a masterful job of designing a public service building that feels open to the public. They did so by separating the secure office zones two floors above the public areas.

The floors devoted to employees have abundant daylight, quiet spaces for personal time, improved indoor air quality, and a stunning top-floor conference space, cafe and terrace.

The new building and the concurrent renovations to City Hall will allow the city to sell properties and end leases on other buildings used to house employees, said Mark Ruff, the Minneapolis city coordinator.

With its green technologies that will sharply reduce environmental impacts and energy costs and its 100-year life span, the Public Service Building is exactly what the city sought, said Goodman.

It was never looking for a grand building — but a lasting one.

“We’re not spending money on a building or its architecture,” Goodman said. “We’re investing in the people working there and the people they serve.”

 

By Frank Edgerton Martin

Frank Edgerton Martin is a landscape historian, preservation planner, and writer for design firms and publications.

Uffda Minnesota: Paul & Babe Visit the Minneapolis Sculpture Garden

Uffda Minnesota: Paul & Babe Visit the Minneapolis Sculpture Garden

“URBAN ART APPRECIATION” Paul & Babe visit the Minneapolis Sculpture garden and the Cherry and Spoon
Uffda Minnesota: I am a Minnesota landscape and nature photographer and artist. UFFDA MN celebrates my MN inspired & themed art work. If you like any of my Paul & Babe cartoons, I am offering them as 8 x 10 and 11 x 14 prints. These make the perfect gift for any Minnesotan! Visit: Superiorphotographs

 

About:

My name is John Caughlan and I am the owner of Superior Photographs. Growing up in northern Minnesota I developed a deep appreciation and love for the outdoors. Then I discovered Minnesota’s North Shore, or should I say it discovered me. I started to backpack, and fueled with curiosity and my need to explore, photography became my creative outlet.

In order to capture that perfect image I fully immerse myself into my surroundings. This means braving blizzards, enduring floods, and camping in sub-zero temperatures. I continually challenge myself and my art. I am also humbled by my heightened awareness of the sobering reality that I am capturing more than just images with my simple camera, but I am capturing a small glimpse of the Creator as revealed through His creation.

Job 37:5-7, “God thunders wonderfully with His voice, He does great things beyond our understanding. He says to the snow, ‘Fall on the earth’ likewise to the light rain, also to the downpour. He brings all human activity to a stop, so that everyone He has made can know it.”

Photography has given me the opportunity to “stop” and “know it.” I hope my images reveal the character of the Infinite. All of the images on my website are available for purchase.

John Caughlan

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