It’s nature’s version of a ball pit. Or a chic Instagram backdrop.
But for Shannon Forster and her family, cranberry harvest is a job that doubles as a CrossFit-grade workout.
Renée Jones Schneider, Star Tribune
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It’s nature’s version of a ball pit. Or a chic Instagram backdrop.
But for Shannon Forster and her family, cranberry harvest is a job that doubles as a CrossFit-grade workout.
Forster and her uncle, wearing waders in knee-deep water, pull on each end of a long, floating boom that encircles a load of cranberries. Though each berry weighs hardly anything, dragging thousands of them across the bog requires plenty of strength.
And agility. Because on a chilly October morning, you don’t want to lose your footing.
“Everybody probably gets dunked once a year,” Shannon admitted.
The tart berries are a staple of the Thanksgiving table, yet tend to spend the rest of the year pushed to the back of the freezer or pantry — the fruit world’s crimson-hued stepchild.
But cranberries have deep cultural, economic and historic significance in the United States. Their high levels of health-promoting antioxidants have made them a valuable food and medicine for Indigenous people for centuries. The U.S. has long been the world’s largest grower of cranberries, which are among the few commercially important fruits native to North America.
Wisconsin produces more than half of the country’s crop. And though northern Minnesota’s peatlands have similar, cranberry-conducive conditions — sandy, acidic soil, abundant fresh water, a climate that’s both hot and cold — the Forsters are the state’s only commercial growers.
As they transition operations to the second generation, the Forsters continue to refine their growing and harvesting techniques so they can produce their niche crop as sustainably as possible. “We take a lot of pride in what we do,” Shannon said.
Renée Jones Schneider, Star Tribune
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For more than two decades, Shannon’s parents, Randy and Billie Jo, have ridden the ups and downs of cultivating a specialty crop that’s temperature-sensitive and can be easily damaged by heavy equipment.
The Forsters bought their farm after a large East Coast cranberry grower had developed the bogs for growing the fruit, just as its price crashed. Now they’re training the next generation.
With both mom and dad working off the farm as truck drivers, 21-year-old Shannon has taken the reins as manager and her brother, Nathan, 15, is the primary farmhand, homeschooling so he can prioritize the family business.
“I always joke with him: You can’t be too smart, because you can’t take my job,” Shannon said. “You’re still my little brother, and I’m still your boss.”
Shannon, the youngest of the family’s three daughters, took advantage of postsecondary enrollment options during high school and earned an associate degree, knowing she wanted to focus on farming. During the growing season, she takes responsibility of the farm’s daily operations. And it’s all-hands-on-deck during harvest season.
Walking across one of the family’s soon-to-be-flooded fields, covered with a low, dense network of cranberry vines, Shannon said that the biggest misconception about cranberries is that they grow in water. The Forsters flood their 50 acres of berries several times a year, but only for a period of days.
Most of the time, the fields look dry as those underfoot, which contains hundreds of berries per square foot. The visible cranberries are bright red, while those beneath are pink or white. They’re all ready for harvest, Shannon explained, it’s just that the lighter colored ones don’t get as much sun exposure and tend to stay warmer. “To turn red, cranberries need sunlight and cold temperatures,” she said.
Similar to wild rice (which the Forsters also grow, along with soybeans, oats and wheat), commercially cultivated cranberries are grown in a series of small plots surrounded by dikes and canals to hold and transfer water.
The Forsters pump water between a reservoir and the cranberry and rice fields throughout the year, recycling as much of it as they can. “Both crops need water at different times, so there’s a ton of value in farming them together,” Shannon said. “But we’ve never heard of another farm that grows both cranberries and wild rice.”
In the spring, the fields are flooded for natural weed and pest control. During the growing season, the vines are irrigated to protect them from freezing or scorching temps. For weeks when the weather puts the cranberries at risk, the family works overnight shifts to ensure the irrigation system is operating properly. (The job involves traipsing around the fields in the dark to check the water lines for leaks, monitor temperatures and pick test berries to assess their condition.)
In the fall, the wet harvest technique used by the Forsters takes advantage of the air pockets inside cranberries; after the fields are flooded and vines agitated by machine, the berries float to the water’s surface. The berries are gathered, frozen and processed for juice, dried cranberries and sauce.
Cranberries sold fresh, which represent a small fraction of the country’s annual crop, are dry-harvested with the aid of small mechanical pickers. Then, during the winter, the fields are flooded once more to create a layer of ice that protects the perennial vines from severe cold.
While Shannon is concerned about more erratic weather — a few years ago, a surprise mid-June frost devastated the family’s crop — Midwest-grown cranberries haven’t experienced the degree of climate change as those in Massachusetts, which pioneered the industry and led production until the 1990s.
In recent years, East Coast growers have seen their crops suffer from higher summer temperatures, warmer winters and droughts. But because of the expensive infrastructure required for cranberry farming, there are few new growers joining the ranks.
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Randy Forster has continuously refined the family’s farming practices over the years, which includes tinkering with specialized equipment, such as the cranberry harvester. It’s essentially a giant wet vac that sucks the cranberries up to a platform where a water bath separates the good, floating berries from any imperfect ones and plant material. The berries look like a red river, speckled with pink and white, as they ride the waterfall between the platform and the semitrailer parked below.
The Forsters share a small portion of their crop with local beverage makers, including Lakes and Legends Brewing Co. in Minneapolis, Buffalo Rock Winery in Buffalo, and Fargo-based Flannel Fizz soda. But they send most of their harvest to a receiving station in Tomah, Wis., run by Ocean Spray, the agricultural cooperative that counts the Forsters among its 700 farmer members.
The Forsters’ semitrailer slowly fills up with berries — by the hundreds, thousands, millions. When the little crimson orbs reach Tomah, and mix with berries from other farms, they’ll look indistinguishable from those grown elsewhere. But for now, they’re Minnesota’s finest.
Renée Jones Schneider, Star Tribune
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This year Sever’s Holiday Lights 2023 is a 1.9 mile course, located at Sever’s Festival grounds in Shakopee, is packed with more than 2.5 million lights set to holiday music favorites mixed to an upbeat track. Picture trees wrapped and dripping in icicle lights, back lit forests, hanging globes and massive flood lights to create a stunning winter wonderland setting. Holiday Lights is open 7 days a week!
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I’ll Be Gnome For Christmas Xmas Christmas Gnome Pullover Hoodie
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Minnesota Landscape Arboretum: Holiday Teas & Treats – Chaska, MN
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Circus Juventas puts their signature high-flying spin on the season in A Hygge Holiday, (pronounced hoo-gah), which will transport audiences to the beautiful and bewitching North Woods and leave them exhilarated by soaring acrobatics and dazzling artistry. This marks the fourth annual holiday presentation by the acclaimed youth circus, whose performances regularly sell out.
The 70-minute show, which runs without intermission, tells the story of a group of young people headed for a cozy weekend in the woods, who stumble into a holiday haven of mystery and magic. This production of A Hygge Holiday marks the first Circus Juventas production presented under the new leadership of Rachel Butler Norris and Rob Dawson. Butler Norris is the daughter of Circus Juventas co- founders Dan and Elizabeth “Betty” Butler. She literally grew up in the circus, progressing from child performer to coach. She steps into the role of artistic director, formerly held by her mother. Dawson gained his circus acumen with Cirque du Soleil as an aerialist and head coach. He will serve as the organization’s executive director, formerly held by Dan Butler. The Butlers stepped down from their leadership roles earlier this year but continue to support the organization from their hometown of Sarasota, Fla. During their 30-year tenure, the Butlers grew Circus Juventas from a small after school program to an internationally recognized circus arts program, training more than 2,000 young people in nouveau circus arts each year. Many graduates of the program have gone on to professional careers utilizing the circus skills they learned from the Butlers and their team of internationally renowned coaches.
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Shows run ‘under the big top’ weekends Friday, December 8th through Sunday, December 17th
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Wilson unhitched his trailer and hopped into his work truck. Driving through the property, he points out the nearby Minnesota River. The trees stand in orderly rows, stretching across the gentle hillsides. He says they sometimes have problems with deer, munching on the low branches “like candy.”
When Wilson and his father started the farm in 1981, it was all cropland. Back then, they planted Scotch pines during the early start of their Christmas tree venture.
“Now, hardly anybody wants a pine,” he said. “So, that’s how you gotta remember. It’s eight years to a harvest. So you plant something that nobody’s gonna want. That’s kind of a wasted eight years.”
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Young saplings are especially vulnerable to disease and extreme weather conditions, including drought.
But, Wilson embraces the climate’s unpredictability and challenge as he works his family’s farm.
“It’s all about nature, it’s all about life,” he said. “And you get to enjoy that natural resource as long as you can, while you can. And, it gives back some wealth of income along the way.”
The six inches of rainfall in September helped their trees recover from the most recent drought. Wilson said they experienced much worse during the severe droughts in 1988 and 1989.
“I lost everything,” he said. “Everything died in those years. So, the last two years have been bad, but not as bad as they could be. As far as our trees that we have, and you can see them out here in the lot, the colors are beautiful.”
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While Minnesota is slowly recovering, the accumulated rain deficits are between eight to 15 inches below normal in the southern parts of the state over the last three years.
Trees take two to four years to recover from droughts. Luigi Romolo, state climatologist with the Minnesota DNR, said it’s unclear why droughts are developing more often and more severely. He also said that a slow spring melt in March and April will be needed in order to recharge soils for planting season.
“We’ve just had a little bit of bad luck these last few years,” Romolo said. “We’re hoping that things will turn around and we’ll get back into a normal pattern. But, until that happens, we’re just going to have to endure with what we’re experiencing.”
The drought hit the agricultural industry especially hard. Farmers spent more on irrigation. Romolo said it’s possible that Christmas tree prices might increase and inventory might vary.
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“Drought is a natural part of our climate,” he said. “But, there’s nothing natural about what we’ve been experiencing in the last three years.”
Since the start of the COVID-19 pandemic, the demand for live Christmas trees outpaced the supply. Ben Wolcyn, president of the Minnesota Christmas Tree Association, said he and many other farms dipped into their inventories during those years.
He said Wolcyn Tree Farms and Nursery in Cambridge, Minn., plants two to three trees for every tree they harvest. Wolcyn said in order to restock they’re ramping up production. This season, they’ll harvest around 25,000 Christmas trees, and next spring, they’ll plant about 80,000.
“We had to do a lot of managing, but it’s been a good thing for our industry,” Wolcyn said. “For a lot of families to experience having a real tree for the first time, hopefully it’s a tradition that they’ll continue going into the future.”
Woclyn said people wanting to buy a live tree should do some planning and know the tree they pick out at a lot might be a different size or species depending on when and where they go.
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“Just be adaptable,” he said. “There’s plenty of trees for everyone. We are very humbled by the fact that we get to provide the centerpiece to a lot of families’ Christmas celebrations. It’s not something we take lightly.”
This demand for live Christmas trees also means the industry also continues to adapt to the changing climate. Whether that’s planting more drought-resilient trees, planting cover crops in between rows, or running programs that rent out trees for a week and replanting them in the spring.
There’s a lot of dialogue happening in the holiday greenery industry, Wolcyn said. Drought is a challenge, but he doesn’t see it entirely as a negative.
“I actually get excited when I hear about drought because that means we’re growing a real product,” he said. “We’re not in a lab or in a manufacturing plant. We’re producing something. We’re out in God’s creation, and experiencing the challenges of that. But with that comes something that’s real. That’s what we have.”
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Christmas tree farms are often operated by generations of families. That’s how it is at Brewery Hill Christmas Tree Farm in Le Sueur.
Scott Wilson stopped by his late wife Mary’s grave underneath a big oak tree on the property, now called “The Proposal Tree.”
It’s the same spot where Wilson asked her to marry him on her birthday decades ago. It’s become a popular spot for other couple’s proposals in the years since.
Wilson said had no idea the farm would grow into the operation that it is today, with new generations of his family helping during the holidays.
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“All my kids are part of the process and without them, I couldn’t do it,” Wilson said. “They give up their time and they have jobs, yet where’s the family? Our family comes together here big time and we’re doing things together … my heart is full with that.”
Meanwhile, it’s business as usual for Brewery Hill. Wilson’s already opening up for business this weekend.
He’s ready for another season of welcoming families into his farm for the holidays and keeping traditions alive.
“Sometimes I have to actually tell myself just how fortunate I am, in the end to grow things and stuff like that and have the beauty of it,” Wilson said. “I am pretty blessed when it comes to a lot of stuff, and I don’t take that for granted.”
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q:tell us about the rabanne h&m collection: the pieces, the details, the inspiration.
i wanted the rabanne h&m collection to create a luxurious mood of enjoyment. i envisioned a utopian gathering of strong people, with a lighthearted but electric atmosphere. it was important to draw out the inclusive and empowering side of the brand, with the archive-inspired chain mail and paillette pieces we are so known for offset by effortless 1970s tailoring and elevated leisurewear. i wanted the collection to feel confidence-boosting but easy to wear, too — it’s a balance i always try to strike with my designs. at the same time, we wanted to look toward more sustainable materials in order to make the collection as thoughtful as possible. i’m really thrilled that h&m has been able to develop a version of our metallic mesh containing a blend of recycled and conventional metal, which took months to develop, as well as sequins that contain recycled pet.
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q:what are some of the key pieces in the collection, and which are your personal favorites?
as a designer, i’ve always been interested in exploring glamour and the way that it can empower and uplift you while recontextualizing it for a modern audience. the pieces i’m most excited about are the icons, which are adapted from designs in the archive, and to me feel very glamorous but also very effortless. the ready-to-wear and accessories that feature the famous paillette disc sequins capture the sensuality of rabanne, along with the recycled metallic mesh pieces. i also love the 1930s-style flowing dresses, some embellished with rhinestones — they’re very flattering and expressive. with the menswear, i was focused on making things feel fluid, and i personally love the silver suit.
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q:craftsmanship is so important to rabanne. how did you bring that attention to detail to this collection?
rabanne is a brand built on radical materiality — paco rabanne was unique in the fashion landscape for his use of chain mail. the metallic mesh is such an interesting material to work with, and it’s extraordinary to wear — more sensual than silk but also protective, like armor. with this collection for h&m, i was very insistent that we maintain the same focus on materiality as we would for any of our mainline rabanne collections. as i mentioned, we really encouraged h&m to develop a version of our metallic mesh containing a blend of 70% recycled metal and 30% conventional metal, which took months to develop. some of the pieces feature hand-woven metallic crochet that holds together different sizes of metallic mesh panels — these are technically advanced pieces. the qualities of wool, organic cotton, and leather in particular are very high. working with h&m in this sense was a joy because they are so efficient and detail-oriented. they really listened to what we were asking for in terms of the fabrications and the qualities, and they pushed it really far. i felt that the team really put their heart into it, which was the most important thing for me.
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q:could you talk to us about the process of designing homeware for this collection? this was a first for you, and it’s the most comprehensive interior offering yet for an h&m designer collaboration.
the home decor was definitely a fun part of the project for me, because i’ve never designed homeware before. our founder, paco rabanne, was obsessed with covering everything in metal, and he did some furniture in the 1970s, which was of course metallic, so it felt like an authentic extension for the house. i liked the idea of embellishing the lifestyle element of the collection’s ready-to-wear to incorporate items that might be used at a pool party — metal goblets that are a little reminiscent of the cups you get at american house parties, amazing silver side tables that shimmer like the dresses, or even a beautiful metal vase set on an angle to give a very modernist feeling to a mantelpiece.
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q:how did this collaborative rabanne h&m collection come about?
i was very excited to work with h&m on a collection that would help to democratize the rabanne brand. we create luxury fashion that champions radical expression and exceptional craftsmanship. we know that our product is high-end and sometimes difficult to find. so to be able to introduce iconic pieces with incredible design integrity, at a price that is accessible to a larger number of people, felt inspiring to me. i’ve followed lots of the h&m designer collaborations in the past, and my favorites were always the collections where you had access to pieces that were key to the design identity of the brand. from the perspective of a young man, a fashion student, it was so exciting to be able to get your hands on one of those house icons. these are the kinds of pieces you cherish, and wear again and again — so i was excited to be able to create memorable rabanne pieces that felt more accessible. once we began the conversation, we were also excited to work with h&m on the materiality and to take advantage of their extensive sustainability knowledge. we learned so much in the process, and i’m really proud of the collection we’ve created together.
q:what’s the secret to a successful collaboration?
it needs to make sense from the beginning and to be properly thought out and executed. for us, the goal was to democratize our work and to learn from h&m’s expertise in terms of sustainability; for h&m, it was about going back to the principle of collaboration to deliver really special pieces that will resonate with their customers. but i think the thing that really elevates a collaboration, and makes it feel extra special, is when the teams have fun together and go the extra mile — and that was the case here. in the end, it creates a kind of magic that is very special.
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