Dior’s Carousel of Dreams at Saks Becomes a Showstopping Reality on Fifth Avenue

Dior’s Carousel of Dreams at Saks Becomes a Showstopping Reality on Fifth Avenue

Dior x Saks Holiday Windows 2023

Dior has transformed the 10-story facade of Saks’ New York flagship with a reimagined holiday window display and light show experience, along with installations in-store and a Dior pop-up on saks.com.

The Dior-Saks extravaganza has arrived on Fifth Avenue.

WWD: Saks and the French brand have created Dior’s Carousel of Dreams at Saks, marking the first time the retailer has collaborated exclusively with a luxury fashion house for its annual holiday initiative. The extensive takeover, the biggest in Saks’ history, took 100 artisans, 10 months in planning and involved designing and manufacturing objects in Italy for the Saks building and flying them to New York to install.

The 360-degree campaign launched Monday with an exclusive World of Dior digital pop-up on Saks.com and the unveiling of the holiday windows and the 10-story-tall theatrical light show at the Saks Fifth Avenue flagship in New York. The windows and digital pop-up will stay up through Jan. 5.

“The unique alliance between Saks and Dior – initiated over 70 years ago by Monsieur Dior himself – has a highly symbolic value for our House, bringing together the unwavering history we share with the United States and our perpetually reinvented heritage. An ode to the magic of creation in all its forms.”

The installation is punctuated with Dior codes such as the star, the clover and the signs of the zodiac, evoking founding couturier Christian Dior’s legacy, his superstitious nature, and his lucky charms. It draws inspiration from the Dior cruise 2024 collection.

By day, the facade stands as a sculptural work of art, with detailed watercolor effects and three-dimensional metallic elements applied by artisans from around the world. By night, the facade is illuminated by a light show experience inspired by the beauty of creation, nature and the magical moments of winter. The light show features nearly 300,000 LED lights and a medley of songs. For the 14th consecutive year, Saks’ holiday windows and light show are being presented by Mastercard.

“This celebration is around Christmas, the unveiling of the Christmas windows around Rockefeller Center, making a big gift to the city, and to the New York citizens. It’s for Saks, it’s for New York and it’s for the U.S. We hope it will have a reach that is beyond the city and have some recognition for all of our clients across the U.S.A,” said Charles Delapalme, managing director of Christian Dior Couture.

The unveiling event Monday night — which closed down Fifth Avenue outside the flagship — highlighted introductions by Marc Metrick, chief executive officer of Saks, Delphine Arnault and Academy Award-winning actress and Dior ambassador Jennifer Lawrence. It also featured a performance by the Martha Graham Dance Company in the middle of Fifth Avenue, with dancers dressed in costumes designed by creative director of Dior womenswear Maria Grazia Chiuri with headpieces by Stephen Jones and makeup by Dior Makeup.

During the holiday season, more than 10 million people from around the world visit Fifth Avenue, according to the Fifth Avenue Association.

A key component of the partnership is the World of Dior pop-up on Saks.com. It marks the first time that all categories of Dior merchandise are available online anywhere other than on Dior.com. The Dior pop-up features an assortment of Dior collections, including women’s and men’s ready-to-wear, shoes, leather goods, accessories, Dior Maison, Baby Dior and La Collection Privée Christian Dior.

Delapalme said he asked him for a Christmas takeover and Metrick said, “That’s impossible, we’ve never done that. We’ve never given it over to one brand.” Metrick had seen what was done at Harrods last Christmas with their Dior takeover, and the brand suggested they do a different takeover. “It will be the same level of ambition, crazy scale, but the design is going to be a new design just for you, and it won’t be a copy of what we did for Harrods,” Delapalme told Metrick.

Dior chose Saks because it knew that the unveiling of the Christmas windows is something very important for New York City, Delapalme said. “We wanted to make history and do something that was never done before,” he said, joking that Metrick told him that the process has been so complicated and so exhausting that he’d never do it again.

“Every year we challenge ourselves to do something different, to do something exciting, to bring innovation to the city and to everyone who’s visiting,” said Metrick in a separate interview. “We look at the light show and the windows as our gift to New York City. Rockefeller Center has their tree, we have what this is. Last year we did something fantastic and the year before we did something fantastic, so the team keeps raising the bar.”

But one has to wonder, how do other luxury brands feel when the store is dedicated to Dior during the crucial holiday selling period?

Metrick sees a lot of benefits to this collaboration.

“It furthers Saks’ positioning as the destination in New York City,” the CEO said. “This year in particular it will demonstrate Saks’ position as a leading luxury retailer in New York City, which is very important to us. It also works as an acquisition tool. People need to feel welcomed and people need to feel a reason to come and experience Saks. We service the entire continuum of luxury consumers, and this gives consumers a feeling of, ‘I want to go there,’ and if it doesn’t drive business today, it drives consideration and awareness of the brand that will pay off dividends long-term.”

Asked how Dior benefits from the partnership, Delapalme was equally enthusiastic.

“It’s not that we’re replicating a formula that we’ve done before. You’ve seen the facade on the Fifth Avenue store. It’s something that has required 100 artisans from five different countries, overnight, every weekend since April. Basically we want our clients to be amazed, to say, ‘Wow, it’s fantastic. It’s surprising, it’s great. We’ve never seen a Christmas celebration with that level of creativity and scale.’ And we want to surprise people, and we want to do things we’ve never done before,” said Delapalme.

According to Metrick, they started the planning for this in February, and this particular holiday initiative was much more complicated than prior ones. “Because of what we’re doing, this required much more cross functional, so many different artisans from all around the world participated and is working with one of our most important partners, which for all the right reasons, is going to make sure that everything is perfect.

“For the last six months, we’ve had weekly status meetings that I’ve attended. You can’t imagine the amount of people on these calls. Organized, like nothing was frantic,” said Metrick. “The collaboration between Saks, Dior and the third parties to pull this off was unbelievable. People in Paris, people in Italy, people in London, people in New York, people in our offices. There were onsite visits constantly.”

Asked what he anticipates will be bestsellers, Metrick believes holiday sales are about self-purchasing and gift-giving. “Over the holidays, people are going to be traveling, and they’re going to want to have luxury to wear when they’re traveling,” he said. “We’re also hearing that a high percentage of the consumers will be celebrating and going to parties and not necessarily as formal in the past, but we’re going to see a much more elevated casual, fun type of wardrobe. Luxury is going to be where it’s at for that customer,” he said.

To be sure, Metrick is a firm believer that all the brands in the store will benefit from the additional eyeballs on the flagship. He pointed out that historically the Saks facade has been about the light show at night, but the Dior star on the building was built and designed to stand on its own during the day.

“Now you walk by and there’s this beautiful piece of art on the store, and the theme of windows is Paris and New York and the winter, and I think it will bring a lot of eyeballs and drive a lot of inspiration. Rising tides are going to lift all boats,” he said.

After such an extensive and exhaustive undertaking, Metrick said he isn’t opposed to doing a takeover with a single brand again. “The goal is to be very different and innovative. If we can find different ways to do things like this, we’ll do it. We just have to make sure we don’t become repetitive,” he said.

Dior is extremely committed to the U.S. market and Delapalme said it’s one of the brand’s most important ones.

“They [Americans] love Dior as a brand because they have a great sense of fashion, and Dior is a very fashion brand and very high-end brand as well.” He said both Chiuri and Kim Jones, Dior’s men’s artistic director, are loved by Americans. “Both of them do fashion that is very high quality but is also very friendly to wear on a daily basis. They don’t do fashion for museums, they do fashion that is pleasing women and is pleasing men. Their style is very friendly with what American customers are looking for.”

He said Christmas is always a very important season to Dior, and it is launching its cruise collection at Saks, which was originally shown in Mexico City in May and is inspired by Frida Kahlo, the Mexican artist. “On the occasion of this collaboration with Saks, we’re having special products that are only available at Saks across all categories,” he said.

Once Mr. Dior arrives in New York, window projections and animations show him zipping along the Hudson River in a boat shaped like a Dior shoe and gliding across the famous Rockefeller Ice Rink in a sled shaped like a Miss Dior perfume bottle. The Statue of Liberty, the Brooklyn Bridge and the Saks Fifth Avenue New York flagship are among the New York icons that make an appearance in the windows. One display features intricate miniature trunks showcasing special moments in Dior’s history, including the luxury house’s 1972 fashion show at Saks Fifth Avenue in New York and the Christian Dior exhibition at the Metropolitan Museum of Art in 1996. The final window scenes depict oversized Dior lipsticks rushing to Times Square for New Year’s Eve and Mr. Dior’s capping off his trip by ringing in the New Year.

The windows are adorned with snow globes, microworlds, carousels and cuckoo clocks. The clock on the exterior of the store features the zodiac and a celestial theme with the sun, moon, stars and butterflies, which is a key influence for both Christian Dior and Chiuri. Pietro Ruffo collaborated with Chiuri for the creation of the butterfly motif patterns seen across the cruise 2024 collection, and on the facade and design elements. All of the categories are featured in the windows.

In addition to the facade and all 24 windows (five of which are beauty) will be specially designed Dior spaces inside the store in handbags, ready-to-wear and men’s redecorated around a specific theme. In beauty, there is a carousel around the perfumes and all the beauty products. In women’s ready-to-wear on the third floor, the team built a structure, added a new carpet and covered the walls with beautiful gold butterflies.

On the main floor of the store is a carousel installation displaying one-of-a-kind Christian Dior haute couture dresses created in the atelier that are choreographed to spin around. The dresses feature silhouettes drawn by Christian Dior from 1949 to 1955 bearing names such as New York, Amérique and Fifth Avenue.

According to Delapalme, Dior has a dedicated department specialized in these undertakings. “We’re happy that the project is finished because it was a big one,” he said.

Asked about current Dior business in the U.S., Delapalme said, “Business is fine. We’re growing, we’re happy with that. It’s certainly not as strong as it has been in the last four years. But our objectives will continue to serve us well. We are doing some important openings. The U.S. is a market that’s very important for us. We invest a lot in this market. You take a takeover of this magnitude, and say, ‘maybe you should be a bit cautious or manage your costs and investments,’ yes for sure, but we’re so excited about that. We want to bring this forward and bring something crazy to the citizens of New York and to the U.S. market.”

Dior and Saks have had a close relationship, dating back to the mid-20th century. In 1947, the year Carmel Snow, editor in chief of Harper’s Bazaar gave the “New Look” its name, Christian Dior went on a market research trip across the U.S. In 1950, the buyers at Saks attended several presentations of the spring 1950 couture collection, and in September of that year was the first mention in the press of a Dior look sold at Saks. In 1972, Saks opened a Dior boutique that included looks from the Miss Dior line, the Dior Boutique line and some designs from the couture collection. A collection of 60 designs sold exclusively at Saks. In 2013, Dior took over the windows at Saks Fifth Avenue during New York Fashion Week celebrating the brand’s fall 2013 collection, and in 2017, Dior and Saks celebrated the inaugural spring 2017 collection with a Dior dedication of 16 Saks Fifth Avenue windows.

Among men’s merchandise is the recently revealed Dior Icons capsule by Kim Jones, including tailoring, sportswear, knitwear and denim, available exclusively for pre-order on Saks.com. In addition, a new Dior Maison collection that echoes the inspirations of the Dior cruise 2024 collection is featured, including a candle ($900), tray ($550) and decorative pillow ($1,100), gifts that are only available at Saks.

Upstairs on the beauty floors, there’s a specially designed Dior Parfums pop-up — with all the Dior codes such as the cuckoo clock, the stars and the botanical theme — featuring Dior makeup, fragrance and skin care holiday offers and services only available at Saks Fifth Avenue New York through Dec. 10. Key areas are the beauty concierge desk, two photo walls highlighting signature Dior perfumes, escalator table animations and Dior holiday gifting atelier featuring La Collection Privée. The takeover also includes Saks-exclusive limited- and special-edition products, beauty services and client events. Peter Philips, creative and image director of Dior Makeup, has created four holiday makeup looks, available exclusively at Saks’ New York flagship.

Among the beauty exclusives are a La Collection Privée D-Air Diffuser ($2,900), Dior Prestige x Neri & Hu ($2,900), Rouge Premier ($580), Dior x Othoniel J’Adore L’or ($15.000), Baby Dior Beauty ($115 to $230), and La Collection Privée 2023 Advent Calendar ($4,200).

Saks and Dior have added an extra dimension to their holiday partnership with an augmented reality (AR) social media experience. Instagram, Snapchat and Facebook users can launch an interactive AR filter to transform their content with design elements from Dior’s Carousel of Dreams at Saks, available now through January 5th.

Black Fashion Week MN & W Minneapolis: Holiday Dress Showcase!

Black Fashion Week MN & W Minneapolis: Holiday Dress Showcase!

Black Fashion Week MN and @wminneapolis partnered up to bring you the Holiday Dress Showcase!

BFWMN has selected 12 Local Designers to display their works and talents in W Hotel Minneapolis lobby. Please come down and show your support for all the designers and their dresses! Thank you, W Minneapolis for this opportunity!

Event

Black Fashion Week MN

On view now through Monday, January 15th

Location

W Minneapolis

 821 South Marquette Avenue

Minneapolis, MN 

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Costa Farms Live Christmas Tree, Small Norfolk Island Pine in Frosted Pine Trees Ceramic Plant Pot

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Art Shanty Projects 2024 Artists + Performers – Minneapolis, MN

DNMI: Welcome to the New Gilded Age…Rabanne H&M is out now!

DNMI: Welcome to the New Gilded Age…Rabanne H&M is out now!

The house of rabanne redefined contemporary glamour.

The house of rabanne redefined contemporary glamour when it was founded in 1966 by the visionary couturier mr. paco rabanne. inspired by the kinetic art movement, unconventional materials, and making the impossible possible, he created innovative and provocative garments that equally scandalized and delighted society, pushing the limits of fashion.
Julien dossena, who took over as rabanne’s creative director in 2013, has led the brand into a brilliant new era. uniting futuristic concepts and meticulous craftsmanship, dossena dreams up stunning, unique pieces that celebrate the brand’s history while looking toward the future.
Together with h&m, dossena has designed an exuberant, dazzling selection of womenswear, menswear, and home decor. you’ll find a tantalizing and celebration-ready mix of signature pieces and brand-new instant favorites: silky chain mail, glittering disc dresses, swinging paillette-pumped maxi skirts and tops, sharp tailoring, folk-revival florals, bold ’70s prints, baroque details, romantic ruffles, dance floor–dominating accessories, and so much more. a truly unmissable collection from an iconic, groundbreaking house.

About the collab: Interview Julien Dossena

q:tell us about the rabanne h&m collection: the pieces, the details, the inspiration.

i wanted the rabanne h&m collection to create a luxurious mood of enjoyment. i envisioned a utopian gathering of strong people, with a lighthearted but electric atmosphere. it was important to draw out the inclusive and empowering side of the brand, with the archive-inspired chain mail and paillette pieces we are so known for offset by effortless 1970s tailoring and elevated leisurewear. i wanted the collection to feel confidence-boosting but easy to wear, too — it’s a balance i always try to strike with my designs. at the same time, we wanted to look toward more sustainable materials in order to make the collection as thoughtful as possible. i’m really thrilled that h&m has been able to develop a version of our metallic mesh containing a blend of recycled and conventional metal, which took months to develop, as well as sequins that contain recycled pet.

q:what are some of the key pieces in the collection, and which are your personal favorites?

as a designer, i’ve always been interested in exploring glamour and the way that it can empower and uplift you while recontextualizing it for a modern audience. the pieces i’m most excited about are the icons, which are adapted from designs in the archive, and to me feel very glamorous but also very effortless. the ready-to-wear and accessories that feature the famous paillette disc sequins capture the sensuality of rabanne, along with the recycled metallic mesh pieces. i also love the 1930s-style flowing dresses, some embellished with rhinestones — they’re very flattering and expressive. with the menswear, i was focused on making things feel fluid, and i personally love the silver suit.

q:craftsmanship is so important to rabanne. how did you bring that attention to detail to this collection?

rabanne is a brand built on radical materiality — paco rabanne was unique in the fashion landscape for his use of chain mail. the metallic mesh is such an interesting material to work with, and it’s extraordinary to wear — more sensual than silk but also protective, like armor. with this collection for h&m, i was very insistent that we maintain the same focus on materiality as we would for any of our mainline rabanne collections. as i mentioned, we really encouraged h&m to develop a version of our metallic mesh containing a blend of 70% recycled metal and 30% conventional metal, which took months to develop. some of the pieces feature hand-woven metallic crochet that holds together different sizes of metallic mesh panels — these are technically advanced pieces. the qualities of wool, organic cotton, and leather in particular are very high. working with h&m in this sense was a joy because they are so efficient and detail-oriented. they really listened to what we were asking for in terms of the fabrications and the qualities, and they pushed it really far. i felt that the team really put their heart into it, which was the most important thing for me.

q:could you talk to us about the process of designing homeware for this collection? this was a first for you, and it’s the most comprehensive interior offering yet for an h&m designer collaboration.

the home decor was definitely a fun part of the project for me, because i’ve never designed homeware before. our founder, paco rabanne, was obsessed with covering everything in metal, and he did some furniture in the 1970s, which was of course metallic, so it felt like an authentic extension for the house. i liked the idea of embellishing the lifestyle element of the collection’s ready-to-wear to incorporate items that might be used at a pool party — metal goblets that are a little reminiscent of the cups you get at american house parties, amazing silver side tables that shimmer like the dresses, or even a beautiful metal vase set on an angle to give a very modernist feeling to a mantelpiece.

q:how did this collaborative rabanne h&m collection come about?

i was very excited to work with h&m on a collection that would help to democratize the rabanne brand. we create luxury fashion that champions radical expression and exceptional craftsmanship. we know that our product is high-end and sometimes difficult to find. so to be able to introduce iconic pieces with incredible design integrity, at a price that is accessible to a larger number of people, felt inspiring to me. i’ve followed lots of the h&m designer collaborations in the past, and my favorites were always the collections where you had access to pieces that were key to the design identity of the brand. from the perspective of a young man, a fashion student, it was so exciting to be able to get your hands on one of those house icons. these are the kinds of pieces you cherish, and wear again and again — so i was excited to be able to create memorable rabanne pieces that felt more accessible. once we began the conversation, we were also excited to work with h&m on the materiality and to take advantage of their extensive sustainability knowledge. we learned so much in the process, and i’m really proud of the collection we’ve created together.

q:what’s the secret to a successful collaboration?

it needs to make sense from the beginning and to be properly thought out and executed. for us, the goal was to democratize our work and to learn from h&m’s expertise in terms of sustainability; for h&m, it was about going back to the principle of collaboration to deliver really special pieces that will resonate with their customers. but i think the thing that really elevates a collaboration, and makes it feel extra special, is when the teams have fun together and go the extra mile — and that was the case here. in the end, it creates a kind of magic that is very special.

Karen Morris Millinery: New Autumn Winter 2023 Collection

Karen Morris Millinery: New Autumn Winter 2023 Collection

Karen Morris Millinery

New Autumn Winter 2023 Collection

This collection of hats and headbands are beautifully tailored for both winter occasions and casual styles.

Polka Dots, Houndstooths and Plaid/Tartan are dateless patterns in the fashion world. They are also Karen’s favorite patterns. These patterns are selected to be in FW23 collection – “Forever Patterns” for our exclusive customers. Felt fedoras, cloches, or casual wool caps, berets are the perfect warm accessories for the colder climate.

Karen Morris Millinery | 1975 Oakcrest Avenue5Roseville, MN 

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GLOW is back, and brighter than ever! – St. Paul, MN

Swarovski unveils holiday campaign—brought to life by a triple threat (creative) team!

Swarovski unveils holiday campaign—brought to life by a triple threat (creative) team!

The Daily: What happens when photographer Steven Meisel, creative director Giovanna Engelbert, and makeup artist Dame Pat McGrath come together? Magic, that’s what. Swarovski launches its holiday 2023 campaign today, with five distinctive personalities each inspired by one of the crystal brand’s collections: Blue Gema, Mesmera Stardust, Matrix Supernova, Punk Luna, and Hyperbola Nebula. Titled the The Celebrate Wonder campaign, Meisel’s portraits are the latest chapter in Swarovski’s ever-evolving, always-glamorous Crystal Metamorphosis story. But wait! There’s more: the trio were also joined by hairstylist Guido Palau and milliner Stephen Jones, who created the crystal headpiece worn by Hyperbola. The full holiday collection is available in stores and online now.

written by Freya Drohan

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Swarovski Annual Edition 2023 Little Star Ornament with Green Ribbon and Gold-Tone Finished Accents

Como Conservatory: Fall Flower Show’s Sunken Gardens Opens

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