Rooted in art, the urban farming business Black Radish is growing new landscapes in Minneapolis

Rooted in art, the urban farming business Black Radish is growing new landscapes in Minneapolis

The Sanneh Foundation is also partnering with Black Radish to double its space. Credit: Sheila Regan

Started by two artists, the Community Supported Agriculture project works with homeowners to create gardens filled with edible crops.

Two Minneapolis artists have taken their visual skills to the soil in the creation of Black Radish, an urban farm and Community Supported Agriculture (CSA) business that doubles as a landscaping firm. Located in the Standish-Ericsson neighborhood in South Minneapolis, Black Radish partners with neighbors to create vibrant gardens full of fresh locally grown foods.

They’re named after the fierce black radish vegetable, with an allusion to the black flag used by pirates, according to co-owner Jade Townsend. “We kind of take over people’s yards and do things a lot differently than a standard farm.”

Townsend is also an artist, with a background in drawing, sculpture and installation. His wife, Carrie Elizabeth Thompson, is a photographer. They met on Tinder about 10 years ago when Townsend was visiting from New York. Since 2018, they’ve been channeling their creative energy into growing things. Their main focus is on edible crops like rhubarb, garlic, tomatillos, komatsuna (Japanese mustard greens), tomatoes, lettuce, root vegetables, herbs and even mushrooms, and they also offer freshly cut flowers like dahlias and zinnias to their CSA members.

They’re both still practicing artists, but fine art has taken somewhat of a backseat to farming. “It’s more on the side, because this is a huge job,” Thompson said. “This is kind of like an art project for us. It’s like community art.”

Townsend sees a lot of overlap between farming and art making as well. “There’s this system of craft involved,” he said. “It’s like art on steroids.”

The couple decided to start an urban farm in part because they were sick of the vapidness of the art world. “We wanted to do something that made a difference in some capacity,” Townsend said.

Black Radish now spans 14 residential yards. In exchange for using a homeowner’s yard, the couple creates an aesthetically pleasing landscape featuring both produce and flowers such as marigolds and sunflowers. “Since it’s people’s yards, we try to make it look good,” Thompson said. “The idea isn’t just to grow food— it’s to create something beautiful.”

For some of the participating yards, Black Radish uses raised beds, while others have gardens planted directly in the ground. Black Radish also employs trellises for peas, cucumbers, beans and melons to climb over the course of the summer, creating lovely walkways in the yards.

CSA member Tiffany Enríquez, who lives a few blocks away from Thompson and Townsend and owns a second property in the neighborhood, is one of the neighbors on whose yard Black Radish operates.

For three years, Enríquez had done her own gardening before realizing it was a full-time job. She discovered Black Radish after participating in a community art project with the City of Lakes Community Land Trust. Enríquez had become a homeowner through the Land Trust, and through the organization participated in “This House is Not for Sale,” in collaboration with artists and poets.

“Basically they worked with homeowners who had bought foreclosed properties to sort of process that grief and what that means for a homeowner to move into a foreclosed home,” she said. She was partnered with artist Witt Siosoco and also met Townsend through the project.

Enríquez is delighted to have Black Radish create a garden on her property. “This is such a win for me,” she said.

Each week, the couple open up their backyard for the CSA pick-up for their members. It’s kind of like an art opening, Townsend said. They invite all 50 members to pick up the week’s harvest, and use Townsend’s whimsical chalkboard menu displays with drawings to organize the different items.

“It’s very much thought out in the same way you would have an exhibition or a show,” Townsend said. “You want them to have a certain experience.”

The project has also been one of community connection. “We introduce people and share recipes and different gardening techniques,” Townsend said.

Besides their regular members, Black Radish has also partnered with the Sanneh Foundation, through a grant from the Minneapolis Homegrown project. “We partner with them to purchase some of their CSAs, and we distribute those at our food distributions at Corcoran Park,” said Joe Walker, director of nutritional services with the Sanneh Foundation.

“Black Radish was a wonderful way for us to work with someone from the community and supply to the community, which is something we’re always trying to focus on,” he said. “It’s a really great way to be prescriptive about what our participants want in our food distributions, as well as bringing healthy, nutritious and locally grown produce. It’s just really been a win-win, and they’ve been fantastic. They’ve knocked it out of the park every year.”

The Sanneh Foundation is also partnering with Black Radish to double its land space. The foundation is acting as Black Radish’s fiscal sponsor for an online fundraising campaign, with the funds going toward what Black Radish needs for a down payment on 12,000 square feet of empty land in the neighborhood.

Black Radish is initially raising $65,000 for the down payment, with a long-term goal of $250,000 to purchase the land. For now, they’re holding off on becoming a nonprofit because, if they end up needing to apply for a USDA loan, they must do so under their current status as an LLC rather than a 501(c)(3). “We have a board, we have the paperwork in order, but we’re waiting until we secure the land,” Thompson said.

The new site could triple Black Radish’s production, because the new land is all in one location. Their current model that spans different yards requires workers to travel between locations, each with different shade levels and water systems. “Each yard has a different microclimate personality,” Thompson said. With the new land, they could reserve neighborhood yards for low-maintenance crops and dedicate the larger plot to plants requiring daily care.

Already, Black Radish has raised almost a third of the initial goal. The couple’s hope is to bring their artist-driven community farming project to the next level, blending artistic skill with agricultural know-how.

Film, Farm & Culture Fest of Wausau 2025

Film, Farm & Culture Fest of Wausau 2025

Northcentral Technical College (NTC) is pleased to announce Film, Farm & Culture Fest of Wausau (FFCFW) 2025.

FFCFW is an annual summer meeting place for audiences and young filmmakers to celebrate award-winning independent films selected from around the world.

The film festival program includes fiction and documentary films exploring the relationships between farming, land and rural life.

“Our goal for the film festival is to bring community members together for an engaging conversation and exchange about our primal connection to the land and agriculture,” said Jila Nikpay, Videography Faculty and NTC.

Event

Film, Farm & Culture Fest of Wausau (FFCFW) 2025

Film Screening Schedule:

Friday, July 18th + Saturday, July 19th

Friday, July 25th + Saturday, July 26th

Friday, August 1st + Saturday, August 2nd

Friday, August 8th + Saturday, August 9th

Additionally, NTC’s video production faculty will offer summer labs for aspiring film makers. The video production summer labs aim to educate future filmmakers through hands-on, collaborative filmmaking at Studio 7, a state-of-the-art video production facility on NTC’s Wausau campus.

Tickets

Video Production Summer Lab Schedule:

Short Narrative Production: July 14th, 16th + 18th (9 AM to 1 PM)

Documentary Production: July 21st, 23rd + 25th (9 AM to 1 PM)

Product Commercial: July 28th, 30th, August 1st (9 AM to 1 PM)

Intro to Motion Graphics: August 4th, 6th + 8th (9 AM to 1 PM)

The film festival screenings and video production labs are presented by NTC and organized by the Studio 7 Video Production faculty.

To learn more about FFCFW 2025 or the summer video production labs, visit.here.

Location

Woodson History Center

410 McIndoe Street

Wausau, WI 54403

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Vintage 70s 80s Style Wausau, Wisconsin T-Shirt

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Spend The Night (In Style) Stargazing In A Translucent Dome Near The North Shore In Minnesota

 

From Eiffel Tower to bistro chairs: Paris expos take center stage in new release by Minnesota author

From Eiffel Tower to bistro chairs: Paris expos take center stage in new release by Minnesota author

Minneapolis author Charles Pappas came upwith the idea for his book on ‘one of the most dissapointing days of my life.”

Charles Pappas is a senior editor for the Minneapolis-based Exhibitor Magazine, which covers expos, fairs and trade shows worldwide. In June 2023, he was on a work trip in France.

“I was consulting to Minneapolis and the U.S. in their bid for Expo 2027, and the vote was taken in Paris.”

Minneapolis lost the bid to Belgrade.

“The next day, I got up and just decided to take a long, meandering walk in what I can only describe as a dejected daze.”

A black and white photo of an interior sculpture display.

A sculpture exhibition in the Grand Palais at the 1900 Paris Expo.
Courtesy of Luster Publishing

Pappas ended up at the Petit Palais, a palace built for the World Fair of 1900.

“It hit me: Our mental idea of Paris is because of the seven world expos there, that everything that you as a tourist would point to mostly came about because of the World Expo — the Petite Palais, Grand Palais, the Pont Alexandre Bridge, the bistro chair,” Pappas says. “And that just kind of was that eureka moment.”

The book is “Nobody Sits Like the French: Exploring Paris Through Its World Expos,” which is out in the U.S. on July 1st.

The title inspiration came from the aforementioned bistro chair, the now ubiquitous seat traditionally made with bent wood and woven cane that helped define Paris café culture.

You’ve likely seen it closer to home, too. Restaurants like St. Paul’s Meritage — self-described as “Minnesota’s little slice of Paris” — have a patio full of them.

“It’s one of our very basic mental images of Paris,” Pappas says. “But no one ever really thought of what its origin was, and really the story behind this is kind of fun.”

The design is over 150 years old.

A poster of chair designs.

The ubiquitous “bistro chair” (center row, far right) was introduced at the 1867 Paris Expo. “It’s one of our very basic mental images of Paris,” says author Charles Pappas.
Courtesy of Luster Publishing

“It was actually called, originally, the number 14 chair, and it won a gold medal at the 1867 World Expo in Paris,” Pappas explains. “It was so popular, it caught on so powerfully, it sold an estimated 50 million units by 1930.”

The book covers the Paris Expos and Fairs from 1855 to 1937, and Pappas dives into many other inventions and landmarks introduced on this world stage, like Roquefort cheese, the Eiffel Tower and the invention of the suitcase rooted in the designs of a Louis Vuitton trunk.

While world fairs and expos have fallen out of favor in the U.S. — the last one was held in New Orleans in 1984 — Pappas says much of the world still uses them as a form of soft power.

“We in the U.S. view it like we do black and white television, something of the past,” Pappas says. “The rest of the world has seen it as a platform to put themselves on an even higher world stage.”

Minnesota artist weaves human hair into wearable art, reviving an ancient craft! – Grand Marais, MN

Minnesota artist weaves human hair into wearable art, reviving an ancient craft! – Grand Marais, MN

In the 18th and 19th century, hair art was displayed on walls in the same way that families hang photographs today.
Dan Gunderson | MPR News

Minnesota artist weaves human hair into wearable art, reviving an ancient craft!

a brown bracelet of woven fiber
Karen Keenan holds a bracelet made of human hair on May 16th at the North Folk School in Grand Marais, Mn. Keenan trying to revive the centuries old art of using human hair to make jewelry and works to display.
Dan Gunderson | MPR News

Karen Keenan is on a mission to revive the centuries-old art of making jewelry from human hair. But first she needs to overcome the ick factor.

“I have gotten anything from ‘Oh, that’s disgusting,’ to ‘Oh, that’s creepy,’ to ‘Yuck,’” Keenan said when she pitches people on the history of hair art. “And then they say, ‘Huh.’ You can almost see the change happening in them. And then they say, ‘This is very interesting.’”

strands of hair
Strands of hair are divided for weaving.
Dan Gunderson | MPR News

Keenan’s well-grounded in the craft, known as hairwork. Her mother kept a brooch of hair as a family heirloom. Combing through her family history a decade ago, Keenan discovered she came from a long line of hairworkers from Våmhus, a village in central Sweden.

In 2018 she traveled to Sweden on an American Scandinavian Foundation fellowship to learn the old ways. Now she teaches them at the North House Folk School in Grand Marais.

‘Making beautiful things’

During a recent class, Keenan showed how to attach strands of hair to a weight called a bobbin that looks like a big fishing sinker. She uses horsehair to introduce the technique to students because it’s thicker than human hair.

The strands are stretched across a hair table 9 inches across with a hole in the middle. It looks like a big bagel on legs. Each strand holds a bobbin on one end and attaches to a counter weight in the center of the hair table.

“Eight strands of five hairs each,” explained Keenan. “And then it’s a matter of weaving.” The braids can be hollow with wire inserted to hold shapes, cord like or flat.

Counting hairs can be tedious, says hairworker Karen Keenan. But she loves the process of braiding the strands, calling it “meditative.”
fingers hold thin strands of brown fiber
Counting hairs can be tedious, says hairworker Karen Keenan. But she loves the process of braiding the strands, calling it “meditative.”
Dan Gunderson | MPR News

Keenan’s taught more than 100 students, typically classes of five or six. Many come with a strong interest in folk art and a desire to connect to the past.

Katrina Haugen works at a curiosity and oddity store called Twelve Vultures in Minneapolis.

The self described “morbidly curious human being” was intrigued by the traditional use of hair jewelry as memento mori, or mourning jewelry.

“I’m wanting to kind of reintroduce that to people and offer it, maybe hopefully even modernize it, or just revitalize and bring it back and show it the respect that it deserves,” said Haugen.

Dawn Sahouani, a fiber artist and retired teacher from Hastings, said she wanted to learn another art tied to her Nordic culture. She was surprised to learn the practice is common in many cultures.

four people stand next to a seated woman
(L-R) Pocket Miller, Katrina Haugen, Britta Keenan and Dawn Sahouani watch instructor Karen Keenan during a hair work class May 16, at the North Folk School in Grand Marais, Minn.
Dan Gunderson | MPR News

“To find out that Japanese culture and other places have this sort of tradition of making beautiful things out of human hair is really interesting to me, how universal it is,” she said.

Sienna Nesser, who lives just down the shore in Two Harbors, said she’d been interested in hairwork since college. She has a collection of hair jewelry her grandmother purchased over the years. She heard about Keenan’s classes three years ago, “and I thought, no way! I can finally learn how to do it myself.”

Nesser kept coming back and now helps Keenan as a class assistant.

‘A very precious thing’

Human hair is considered sacred in many cultures, Keenan said. When northern European immigrants came to the United States they often brought hair jewelry. A man might carry a watch fob made of his mother’s hair, knowing he would never see her alive again.

Women wore brooches or necklaces made of hair. Hair art hung on the walls of many immigrant homes.

“People were very sentimental about their loved ones and they had very few ways to remember them. Pictures were very expensive and these were poor people,” she said. Immigrants couldn’t bring much to the new country but hair was light and “a very precious thing.”

In the 1700s and 1800s, hair jewelry was a respected art form. British Queen Victoria was a big booster. Keenan learned that hairworkers from Våmhus would sometimes travel to London to create art.

 

Keenan, 74, remains a working potter. But the discovery of her grandfather’s roots in Våmhus and the village’s 200-year-old tradition of hairwork led her to want to keep the practice alive. Her daughter Britta is learning the craft now.

brown and white hair on a table
Hanks of human hair to be used during a hairwork class at the North House Folk School in Grand Marais.
Dan Gunderson | MPR News

Counting hairs can be tedious. It requires precision and attention. But Keenan said she loves the process of braiding the strands.

“It can be a meditative thing,” she said. “Sometimes when I’m making jewelry for a friend, I’m thinking about our relationship. So, there’s a very strong connection.”

a standing woman watches a seated woman
Karen Keenan watches her daughter Britta during a class at the North House Folk School in Grand Marais.
Dan Gunderson | MPR News
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Minnesota Beethoven 2025 Festival – Winona, MN

Minnesota Beethoven 2025 Festival – Winona, MN

The MN Beethoven Festival offers a broad range of concerts that fit a variety of musical tastes.

Minnesota Beethoven Festival concerts planned at various venues in Winona from June 29th to July 20th!

For a full list of the artists and locations performing during the Minnesota Beethoven Festival visit: 2025 Festival Schedule

Event

Minnesota Beethoven Festival

Peter Dugan, piano

Sunday, June 29th, 3:00 p.m.

Harriet Johnson Auditorium, Somsen Hall,
Winona State University

Tickets

Location

Various venues in Winona

P,O, Box 1143

Winona, MN

 

ICYMI: 20-foot-tall pencil on Lake of the Isles lawn gets its annual sharpening! – Minneapolis, MN

ICYMI: 20-foot-tall pencil on Lake of the Isles lawn gets its annual sharpening! – Minneapolis, MN

Hundreds of people gathered in June 2024 to watch the third annual sharpening of LOTI Pencil near Lake of the Isles in Minneapolis. ( “Spoonbridge and Cherry” )

 …

The giant No. 2 pencil also is the subject of a documentary film.

When is a pencil not just a pencil? When it’s on John and Amy Higgins’ lawn across from Lake of the Isles, is 20 feet tall and gets an annual public sharpening that draws crowds of more than 1,000 people.

 

The giant pencil, known as LOTI Pencil, will get its fourth annual sharpening on Saturday afternoon. The event kicks off another Minneapolis summer filled with outdoor art festivals and (hopefully) not a single day below 65 degrees.

 

This year’s pencil sharpening falls on Prince’s birthday ― and the pencil is ready.

 

“Because of leap year, by coincidence, it’s going to be another 12 years before Prince’s birthday is on a Saturday,” John Higgins said. “Maybe one of the pencil crew dances [five people dressed in pencil costumes dance] will be to a Prince song. We’ve got special commemorative purple Prince pencils. We typically hand out yellow pencils.”

 

To sharpen the giant public artwork, LOTI Pencil creator and wood sculptor Curtis Ingvoldstad made a 4-foot-tall wooden pencil sharpener that he hoists onto the tip with help from his friend John Daugherty, and the

pencil gets pointy again. Then, they throw the shavings to the crowd below.

This is a community ritual that’s also predicated on losing a bit of the pencil every year.

 

“The sacrifice of its monumentality is something that marks a year. … And so this is the sacrifice ― the pencil has to be sharpened otherwise it wouldn’t have been used,” Ingvoldstad said.

 

It’s not a pencil sharpening party without the requisite sweet treats from La La Ice Cream and the T-shirt slingshot, where lucky folks can snag one of 60 special commemorative purple T-shirts launched from a giant slingshot.

 

This year there’s also an alphorn duo. And no, that’s not a reference to Minnesota’s Afton Alps. We are talking the Swiss Alps.

 

The musical duo of Edina-based Mary and Ralph Brindle will play 12- to 15-foot-long horns, usually used to call sheep, but also to create music in the Swiss Alps. The duo has been playing alphorns together for 35 years and will perform as part of the opening ceremony.

 

Kids also can join in on the fun. They can get close and ask the pencil questions using a special telephone to translate it all to the pencil.

 

LOTI Pencil is getting so famous that soon there will be a short documentary about it.

Los Angeles-based documentary filmmaker Daniel Straub started doing interviews with John and Amy Higgins and Ingvoldstad three months ago and will be coming to town this week to shoot the documentary.

 

Straub hasn’t yet seen the pencil in person.

 

He first saw the pencil on someone’s Instagram account, just before its ritual sharpening.

 

“There’s something about turning an object to the scale of its source material, like making a pencil the size of a tree, that seemed really funny to me,” Straub said by phone from L.A.

 

He grew more interested in the pencil’s philosophical message after learning more from Ingvoldstad and Higgins.

 

“There was a quote from John where he described sharpening the pencil as ‘a promise to do something,’ and this yearly ceremony became this renewal of a promise,” Straub said. “This isn’t just a yearly gathering, it’s also a celebration and renewal, but also an acknowledgment of the passage of time.”

 

Someone wanting to make a documentary film about the pencil caught Higgins and his wife by surprise and it really moved them, he said.

The couple have been in their home for more than 17 years, and they’d love to keep up this tradition, but it might be ephemeral in nature, as was the felled tree that created it.

 

 

The pencil is different from the Minneapolis Sculpture Garden’s “Spoonbridge and Cherry,” which regularly gets its spoon and cherry repainted, is made of aluminum and steel, and could last forever.

•Spoonbridge and Cherry Claes Oldenburg and Coosje van Bruggen (1985-88) New Minneapolis Sculpture Garden. ] GLEN STUBBE • glen.stubbe@startribune.com Tuesday June 6, 2017 Guide to the new Minneapolis Sculpture Garden. Two years after closing for renovation, it opens Saturday, June 10 with a daylong celebration. Breakdown of the new artists in the sculpture garden The sculpture garden is getting 18 new works.

•Spoonbridge and Cherry Claes Oldenburg and Coosje van Bruggen (1985-88) New Minneapolis Sculpture Garden. ] GLEN STUBBE • glen.stubbe@startribune.com Tuesday June 6, 2017 Guide to the new Minneapolis Sculpture Garden. Two years after closing for renovation, it opens Saturday, June 10 with a daylong celebration. Breakdown of the new artists in the sculpture garden The sculpture garden is getting 18 new works.
Claes Oldenburg and Coosje van Bruggen’s “Spoonbridge and Cherry” is a centerpiece of the Minneapolis Sculpture Garden. (Billy Steve Clayton — Star Tribune/The Minnesota Star Tribune)

The pencil first appeared in June 2022, some five years after the upper canopy of a 180-year-old oak tree fell onto the Higgins’ front lawn during a storm.

 

Rather than just get rid of the wood, the couple decided to preserve it in their own way — by making it into a public work of art in the shape of a No. 2 pencil. They hired Ingvoldstad to craft it, and the rest is history.

 

For a stationary pencil on a lawn, it’s pretty busy.

 

A pencil sculpture dressed up as Superman.
The pencil sculpture, known as the LOTI Pencil, got dressed up as Superman for Halloween in 2024. (Casey Darnell/The Minnesota Star Tribune)

Last Halloween, the pencil wore a costume for the first time, dressing up as Superman and jamming out to R.E.M.’s song “Superman” on the weekends.

 

As Higgins told the Star Tribune at the time, “the pencil has a personality, and likes to do stuff regular people do — enjoy sunsets, pose for pictures with people.”

 

And although the pencil is becoming quite well known, for creator Ingvoldstad that’s less important than what it means to the community.

 

“It’s super heartwarming and overwhelming when people come up and thank me from their hearts for this because, it’s very unexpected in some ways,” he said. “But it doesn’t change why I do art and it doesn’t change me, and it doesn’t change anything in my pursuit. It just makes me feel good that other people get to walk away with the inspiration.”

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