A New 22-Foot-Tall Abstract Sculptures Await at Anderson Center – Redwing, MN

A New 22-Foot-Tall Abstract Sculptures Await at Anderson Center – Redwing, MN

Artist Perci Chester celebrates the arrival of her newest creation, “Film Noir Ensemble,” at the Red Wing arts destination!

Minnesota Monthly: Created by artist Perci Chester, this whopping 22-foot-tall sculpture consists of two abstract figures that appear to be in motion. Both pieces were created from the repurposed steel of an old water tower, and painted with their own bright and unique hues. Due to its bright pink and lime green colors, the sculpture has been an eye-catching spot in the garden since its installation back in October 2020. “These colors just somehow animated the sculptures in a way that resonated with me, but also because they’re my favorite colors,” says Chester.

With a name inspired by a previous creation named Coupled Dancing, Chester drew her inspiration for Film Noir Ensemble from her fascination with relationships. Like many art pieces, the goal was to allow different interpretations depending on how you look at it. Chester says the name is also open to interpretation.

Built with such massive pieces of metal, Film Noir Ensemble took nearly 15 years to complete. In 2006, Chester began building her sculpture by molding various sheets of metal to create different angles and shapes to form the humanoid figures. “I loved the rivets, which are a big element on the pieces,” says Chester. “They just had a kind of energy that excited me when I began working on them.”

The event comes just a few weeks ahead of the Anderson Center’s 25th anniversary celebration on July 24.

By Aaron Xiong

 

ABOUT

Developed by the Center in 1996, with assistance from the Red Wing Environmental Learning Center and the Minnesota Department of Natural Resources, this 15 acre park is one of Minnesota’s largest sculpture gardens and includes works by nationally and internationally acclaimed sculptors, including Charles Biederman, Siah Armajani, and Zoran Mojsilov. Complete with observation deck, walking trails, benches, picnic areas, interpretive signs, mesic prairie areas, and stunning vistas of the Cannon River valley, this spacious open-air gallery serves as an artistic and educational resource, a natural habitat, and a quiet place where one can glimpse a sampling of the region’s original native ecosystem. There are currently over 30 sculptures in the garden and on Anderson Center grounds.

Entrance to the Anderson Center Sculpture Garden

Moby Dick Sculpture

Moby Dick

Image

Physical Tension

Image

Monterrey Express

Image

Keya Tanka Lucie

Image

Birth of a Martyr

Image

Ojalá

Image

Film Noir Ensemble

Image

Hold

Image

When It Rains
163 Tower View Drive, Red Wing, MN
Concrete Pig’s Furniture Defies Expectations and Weight Restrictions

Concrete Pig’s Furniture Defies Expectations and Weight Restrictions

PHOTO BY NATE RYAN
Keith Wyman produces surprisingly comfortable concrete-and-wood furnishings in Minneapolis. The modern furniture at @concretepig defies expectations—and weight restrictions. How did Keith Wyman decide to start making (surprisingly comfortable) concrete chairs in Minneapolis?

In an age of very disposable home furnishings, Concrete Pig builds stuff heavy-duty enough to withstand a tornado. “Not that I have a problem with the IKEAs of the world,” says founder Keith Wyman, who began his business nearly seven years ago, and quit a corporate sales job to do it full-time in 2016. “But these pieces take it in the opposite direction, and maybe not out of spite. Though I’ve made pieces out of spite just to see how heavy I could make them.”

PHOTO BY NATE RYAN

He gestures toward a 550-pound, cube-shaped armchair sitting in his northeast Minneapolis workshop. It is surprisingly comfortable. Of course, there’s also a forklift parked nearby. (“I definitely threw my back out a couple times,” he says.) Filling out the high-ceilinged room is a huge repository of reclaimed wood from Wood from the Hood, electrical saws, a welding station, and a massive sink. He’s also got a beautiful Les Paul electric guitar hooked up to a new pedal board—a fine way to pass the time while waiting for concrete to dry.

Now located in an industrial area near railroad tracks, grain silos, and a brewery, Wyman recently moved across the parking lot to this larger space. The idea of Concrete Pig began with him “destroying” his house in Golden Valley with remodeling projects. “I made a sink for my bathroom, then I made a table, just for the hell of it,” he says. These days, “The joke is that I should probably double-check the floor joists, with some of the furniture that’s in my living room.”

PHOTO BY NATE RYAN

He loves the challenge of making something extraordinary out of a material that’s often dismissed as cold and ordinary. “People discount it,” he says. “It’s hard not to take it personally when what you make is so personal. [It can feel like] they’re discounting you as an artist, a maker, or builder. I hear, ‘I could go to Home Depot and pick up a $6 bag of concrete.’ My answer is, ‘Go ahead.’ Not to sound arrogant. ‘Honestly, go do it. It’s fun as hell.’”

PHOTO BY NATE RYAN

In addition to spiffing up private homes, Concrete Pig’s creations—blending concrete, wood, and welded metal—make a statement at Modist Brewing, Dogwood Coffee, Northern Coffeeworks, and apartment buildings around the Twin Cities and beyond. Owning one of his creations doesn’t entail going to a showroom, saying, “I want that one,” and taking it home. Instead, as with any custom product, this is more like a relationship between maker and recipient.

Wyman still very clearly remembers the day he decided to make this a full-time pursuit. “I hate the word ‘regret,’” he says. “But if there’s any one thing, it’s not diving in sooner. If it lights a fire for you today, just do it and jump in completely. It feels like I’m playing with mud again.”

Shop for furniture by Concrete Pig at concretepig.com


Minnesota Monthly: What drew you to concrete in the first place?

It’s an unmistakable material. The imperfection, you don’t really get that in anything else. There’s something about the process of that material, as well. You can prepare over 90% of it spending days creating this perfect form. You can control the viscosity and the mix as much as possible, but once you pour it in that negative space, it is what it is, you have to let go. That’s what I love about it, every piece, no matter how much you control, you’re always going to get a slightly different outcome. I’m drawn to the imperfection.

Of course there’s a forklift parked in here.

The essence of the material is always going to be a heavy one. Anything in town or remotely close, I always like to drive it there and place it. I have an unhealthy attachment to the things I make. I also joke that I’m the worst salesman in the world. Someone might’ve been ready to buy but I’ll be like, “Why don’t you go home and think about it? Put some masking tape down and live with it.” The nightmare would be making something and having a client being unhappy with it. It’s heavy. I’d love to do it right once if possible.

What are you excited to do in the future?

Stuff I’m most excited for is some sculpture I’m hoping to land in the next year or two. Making things on a large scale. That’s always been a dream. Making a bunch of 550-pound chairs potentially and randomly dropping those throughout the city? Amost like guerrilla marketing. Having things out in public spaces and watching public people interact with those objects, I’ve always been infatuated with that. That’s the hope in the coming years.

Photo by Concrete Pig

CUSTOM RECEPTION DESK, RAFTER APARTMENTS, NORTHEAST MINNEAPOLIS, CLIENTS: MORTENSON AND STUDIO BV

How big can you go?

I don’t know. 50 feet high? The last couple projects, they seem to be getting bigger. A custom reception desk at Rafter, a new apartment in Northeast. It’s 3,000 pounds of concrete poured on site and almost 1,000 pounds of quarter-inch steel plate, which was the desk. That was a super fun project.

How much stuff do you have at home?

A lot. I had a friend come in. I was having a tough time with our living room. It’s kind of small. I had our sofa, and four chairs, and these other two chairs, like a chaise lounge. He’s like, “Sorry, but you’re going to have to get rid of four to five things.” I had a hard time doing that. I made this concrete credenza with primary colored sliders. I don’t think i could ever part with that piece. That’s always been a staple in the living room. That thing is heavy. I worry about the sag that may be happening over time.

Concrete and Steel “[ /\ I I V” Sculpture, Eaux Claires Music Festival 2018 and 2020

PHOTO BY JEFF GUETTINGER

550-lb Club Chair

PHOTO BY PAUL VINCENT

Custom Outdoor Sculptural Seating, Nordic Plaza, North Loop Minneapolis, Clients: United Properties and Studio BV

PHOTO BY CONCRETE PIG

PHOTO BY PAUL VINCENT

D’Abri Lounge Chairs

PHOTO BY PAUL VINCENT

 

 

 

From Refugee Camp to Runway: Q&A with Halima Aden – St. Cloud, MN

From Refugee Camp to Runway: Q&A with Halima Aden – St. Cloud, MN

Sports Illustrated did something unprecedented last spring, although it was Halima Aden who really made history: At 21, the Somali American fashion model appeared in the magazine’s swimsuit issue dressed wrists-to-ankles in a burkini—beaming, lounging on a beach in Kenya, the country where she spent much of her childhood in a refugee camp before moving to St. Cloud, Minnesota, in the early aughts. Among Aden’s other firsts: first woman to wear a hijab in the Miss Minnesota USA pageant, first to sport one on the covers of AllureBritish Vogue, and Teen Vogue, among other women’s magazines. In 2018, the proud Minnesotan took on her most cherished role yet, as an ambassador for the United Nations Children’s Fund (UNICEF). We sat down with Aden to catch up.


What was your childhood at Kakuma Refugee Camp in Kenya like?

I remember the happy moments. I had a normal childhood, I had a happy childhood. Despite it being a refugee camp, and despite the environment, I still was thriving. I think when a child doesn’t know any better, you don’t know that you’re missing out on anything. So, for me, I remember the strong sense of community, people coming together and helping each other out. I remember so many nights where all the neighbors, all the refugees, would come together to dance and sing. I had so many friends. We all spoke different languages, but Swahili was our common ground. I just felt like every day was something new, and the opportunities were endless, in a way.

At the refugee camp, what can you remember about your first UNICEF interactions?

It was a UNHCR [United Nations High Commissioner for Refugees] camp, and I remember people coming back to the camp and playing with us, a lot of visitors. It was definitely a UNICEF-sponsored camp, but UNHCR also did a lot on the ground. Early on, I remember seeing the UNICEF shirts, the staff wearing the shirts, the school that they built in the camp, all the programs that they tried to do for the kids.

In your work as a UNICEF ambassador, what do you hope to achieve?

I’ve always said my family won the million-dollar lottery by escaping the camp and coming to America, and I’ve had the chance to go to school and get an education, and now, with modeling, I have this new platform that I can use to share the stories of refugees and bring attention to the work that UNICEF is doing on the ground. My advocacy is 100% necessary in that space. I know what it’s like to be a child refugee. So many of the challenges the kids are going through I can personally relate to, and I think my story gives them so much hope and inspiration for the future.

UNICEF ambassador Halima Aden on a field visit in Italy in August
UNICEF ambassador Halima Aden on a field visit in Italy in August

PHOTO BY FUTURE PRODUCTIONS

Last year, you returned to the refugee camp where you grew up. What are your memories from the trip?

That trip was eye-opening, because it was the first time that I got to go back home. With that was a whirlwind of emotion. On the one hand, I’m going home to the place where I grew up and spent the first seven years of my life. On the other hand, I was doing the first-ever TED Talk that was taking place in a refugee camp, and that was exciting and nerve-wracking. Overall, I would say that experience of returning home as an adult was one of the most moving, impactful trips I’ve ever taken. For me, what made it even more exciting was the fact that my mom was so proud that modeling essentially brought me back to the place where she raised me, back home.

You recently visited with refugee kids in Italy, at the UNICEF center based there. What did you take away from your trip?

We stopped by Palermo, and I got to see the center where migrant adolescents were housed after they entered Italy. Then I got to meet the girls. That was really fun, because those girls could have been in Minnesota. They’re girls, they’re young, and giggling, and kind of nervous at times. Towards the end, the girls were dancing, they were singing. One girl sang me a song, and she really wanted Rihanna to one day hear it. It was really nice that, despite her journey, she’s still a girl listening to Rihanna, and she just wants to sing. It reminded me so much of when I was a kid. The first song I ever memorized was “Dilemma,” by Nelly and Kelly Rowland. In a way, it was this normalcy despite the circumstances.

The second day was with the boys. I would say the big difference between the girls and the boys was that the girls clearly had to overcome so much. One girl had to walk five days through the desert, and I don’t want to go too much into her case, but the things that she has overcome… she’s absolutely resilient. They are things that no young woman should have to face. You would never be able to tell that that girl had gone through so much at such a young age to get to where she is today. To see that they were all so driven, that they were focused not just on their stay in Italy but on life outside Italy—one girl wanted to be a lawyer, one girl wanted to be a teacher. The boys, from what we understood—their journey was different. They were brought to Italy for financial opportunity, to grow and find a job, while the girls—some of them were trafficked.

I think sometimes the world forgets that even though Italy is a developed country, the refugee crisis is still relevant in Italy, because that’s a place where a lot of refugees migrate to. It’s not the final destination, but it’s a place that still needs a UNICEF center to protect the kids.

What do you wish people would understand about the refugee experience?

Refugees, no matter where they are in the world—they’re no different than anybody else. At the end of the day, it comes down to simple humanity. We all want the same things: obviously, the chance to have children be educated, the opportunity for safe living, access to food and clean drinking water. Those are basic human necessities, and I think refugees should be treated with dignity and respect just like any other human. At the end of the day, we all want the same things that anybody else in this world wants, and that’s to see our families happy, the children thriving, and making sure that they have access to the things they need to grow and succeed.

What are the proudest moments of your career as a model?

Being named a UNICEF ambassador will probably always be my No. 1 career highlight. There is no greater title for me to ever have in my life, with my background and where I came from. That is the most meaningful. I’m so honored and so grateful to be a part of such an amazing organization.

Halima Aden
Halima Aden

PHOTO BY FADIL BERISHA

How has your family responded to your success?

My mom is so proud. It’s funny, because she doesn’t understand fashion, she doesn’t get “editorial,” or anything that I do for work, but she does understand my role as a UNICEF ambassador. Whenever I tell her, “I’m taking a UNICEF trip,” she’s like, “Oh, good, stay there longer!” It’s so nice to see how excited she is, because that is our common ground. My mom, fashion is not the world she comes from, but UNICEF, that work she understands. She remembers what they did for our family on the ground.

How much of your life is spent in Minnesota now? What do you like to do when you’re here?

Every article that I ever do, every interview, every shoot, whether I’m in an Uber headed to the airport or a business meeting—Minnesota, and how amazing the people and the state are, always comes up. No matter what. I know my Minnesota facts. People are always like, “Are you being paid by the tourism department?”

I love that we have all four seasons, and we have beautiful white Christmases where the snow glistens and makes me feel like I just want to sleep all day—it’s a mood. And I love that summer is very relaxing, and, no matter what, I can go have a good time by the lake and walk around. I love the fact that the community is so, so strong. It reminds me so much of the community from Kakuma.

Minnesota—we have the largest Somali diaspora community, we have the largest Ethiopian diaspora community, we have the largest Hmong community. No matter where you go, it’s nice to know there’s always access to good food from around the world. I love that our universities and our education system rank better than a lot of states, and we have access to Africa nights, Korea nights, so many cultural nights. Whether it’s done by the University of Minnesota or St. Cloud State, there’s something to do, always.

You built your hijab into your modeling contract. Why is it important for you to continue wearing it?

Don’t change yourself, change the game. I think it’s important that you remain authentic to yourself, and that everybody feels like they don’t have to conform in order to fit in, that it’s OK to be who you are and wear it proudly, do you know what I mean? For me, my hijab is a big part of my identity, and it’s important that I never lose that.

Minnesota congresswoman Ilhan Omar is also increasing representation for Muslim women. How did it feel to see her get elected?

Every little girl should see somebody that she can relate to, somebody that she can look up to. That was not just a big win for us as the Somali community in Minnesota, to see Ilhan go on to become a congresswoman. I think it was a big win for Minnesota, because it just shows that we’re a state that allows people—no matter what culture or background they come from—the access to grow and to represent our state. For me it was a proud Minnesota moment. Not just a Somali moment, but a proud Minnesota moment. She became the first-ever Muslim, hijab-wearing woman in Congress, and that’s a huge deal. I think the fact that she’s a woman—our state holds great pride in that. Now, if Ilhan was from Iowa, that’d be a different case. [laughs]

What do you want to use your platform to say?

My message for young women specifically would always be “Don’t change yourself, change the game.” Know that it’s OK to be confident, it’s OK not to conform. We’re beautiful the way we are, and we don’t have to change. I also want to continue to use my voice and my platform to speak about the work that UNICEF is doing. And to always champion Minnesota, too.

minnesotamonthly

error: Content is protected !!

Pin It on Pinterest